Our Credit List

Nautilus – Disney

Provided LiveGrade DIT & Data Management

Main & second units

270+ days of shooting over 11 months

Gold Coast, Australia

Apples Never Falls

Peacock / NBC Universal

Provided LiveGrade DIT & Data Management

Main & second units

22 weeks of shooting over 6 months

Gold Coast, Australia

One Lane Bridge – Season 2

Provided onset monitors, data management & produced dailies

12 weeks of shooting

Various locations around Queenstown

Savage

NZ Feature film

Provided onset monitors, data management & produced dailies

8 weeks of shooting

Various locations around Wellington, NZ

Avatar 1

Video Assistant role

Looking after all monitors onset

Shooting 3D stereo on custom Sony cameras

Cabling for Engineering truck / 3D onset Theatre /

Simulcam & Stereographers stations

Bad Behavior

NZ Feature film

Provided data management and produced dailies

Also provided all playback monitors onset

Locations around Wellington, NZ

Beyond the Edge

Provide custom video playback system

Shooting in 3D Stereo on Red Epic Cameras

Remote Mountain locations with Helicopter access

Mt Cook National Park, NZ

Fast n Furious 7

New Zealand VFX unit

Miniatures – explosion plate shots

For opening sequence of the film

DIR / DOP: Alex Funke

 

Coming Home in the Dark

NZ Feature film

Provided data management and produced dailies

Also provided all playback monitors onset

Various locations around Wellington, NZ

What we do in the Shadows

Video playback operator

Providing Qtake and onset monitors

DIR: Taika Waitihi & Jermaine Clement

Locations around Wellington, NZ

Ghost in the Shell

Video playback operator

Provided Qtake Ppayback system

16 weeks shooting

Studios in Wellington, NZ

Plus locations in Hong Kong

Main and second units

 

The Hobbit 1

Designed and built various Qtake systems for Park Road Post

3D Stereo shoot on Red Epic cameras

Qtake Playback operator for Second unit

DIR: Andy Serkis

DOP: Richard Bluck NZCS

The Adventures of TinTin

DIR: Steven Spielberg & Peter Jackson

Shot at Weta FX motion capture studio

Facial data capture Technician role

Also assisted with set up of the playback system

Live link to LA based DIR

Wellington Paranormal

Seasons 2, 3 and 4

Provided data management and produced dailies

Also provided all onset monitors and recorders

Plus custom monitoring for police car rig

Prehistoric Planet

Apple TV+ series – VFX plate unit

Remote locations around New Zealand

Provided data management and dailies

Also provided live link to remote DIR for review and sign off

War for the Planet of the Apes

Contracted by Weta FX to build MoCap performance suits

For 6 month Vancouver, Canada shoot

30x fully custom suits made and delivered

 

Petes Dragon

Disneys Petes Dragon

Provided Qtake playback system and onset montors

Also provided LiveGrade DIT system

Video playback operator

Main and second units

Rough locations all over New Zealand

20+ days of vehicle rigs

Maos Last Dancer

Video playback operator

Location shoot around Sydney, Australia

8 weeks principal photography

DIR: Bruce Beresford

DOP: Peter James ACS

Mortal Engines

Main unit LiveGrade DIT

DIR: Peter Jackson

DP: Simon Raby

Provided LiveGrade DIT systems

For main and second units

 

Lord of the Rings – The Two Towers

Video playback assistant

My first time on a film set, this was my introduction to the film industry

Worked on second unit for 12 weeks of shooting

Attended the principal shoot wrap party

Really amazing experience…

Land of Bad

Locations around Gold Coast, QLD

Provided Data wrangling and workflow support

Featured Russell Crowe and Hemsworth brothers

Punch

Provided onset playback monitors

Also data management and produced dailies

6 week location shoot around Wellington, NZ

DOP: Matt Henley

DIR: Welby Ings

 

Avatar – The way of water

DIR: James Cameron

DOP: Russell Carpenter ASC

LiveGrade DIT role

Main Unit – New Zealand

Provided DIT carts for main and second units

Shoot over 300+ days

Also helped design & build

multiple Qtake playback systems

 

The Hobbit 2

Qtake Playback operator for second unit

3D Stereo shoot on Red Epic cameras

DIR: Andy Serkis

DOP: Richard Bluck

Designed and built various Qtake systems for Park Road Post

The Meg

Screen GFX Technician / Art Department

Installation and operational work

Various studios around Auckland

Krampus

Video playback operator – main unit

Provided Qtake playback system

Shot at Stone Street Studios, Wellington

DOP: Jules O’Loughlin ACS

DIR: Michael Dougherty

Blade Runner 2049

Working as onset DIT

VFX unit shooting miniatures

DIR / DOP: Alex Funke

Avalon Studios in Wellington

Custom camera system – Canon 1DX

Using motion control rigs

Shooting for 12 weeks

Daffodils

Video playback operator and onset DIT

NZ Feature film

Provided onset monitors, data management & produced dailies

7 weeks of shooting

Various locations around Wellington, NZ

The Hobbit 3

Qtake Playback operator for second unit

3D Stereo shoot using Red Epic cameras

DIR Andy Serkis

DOP Richard Bluck

Designed and built various Qtake systems for Park Road Post

Gods of Egypt

Video playback operator

Pre-viz unit during pre-production

Based at Fox Studios for 6 weeks, Sydney, Australia

DIR: Alex Proyez

How to Murder Your Wife

Video playback role

Provided portable recorders & monitors

Drama shooting 2x cameras

Various locations around Wellington, NZ

A Wrinkle in Time

Video playback operator

Provided Qtake playback system

NZ Locations unit, South Island

DIR: Ava Devernay

DOP: Tobias Schisstler

With Operah Winfery, Recce Witherspoon & Mindy Kailling

The Rule of Jenny Pen

Onset DIT and video playback operator

Provided Qtake system and onset monitors

NZ feature film

Provided data management and produced dailies

Locations around Wellington and Taupo, NZ

Joe Vs Carole

Onset LiveGrade DIT role

Plus onset data manager

Provided LiveGrade DIT cart and data management station

20 week shoot at various locations around Brisbane, QLD, Australia

 

Poppy

NZ Feature film

Provided data management and produced dailies

Also provided all onset playback monitors

Various locations around Wellington, NZ

Valerian

Motion capture suit technician

Fabrication and construction of custom suits for performers.

Contracted by Weta FX to build MoCap suits

For 6 month shoot in Paris, France

25x full suits made

DIR: Luc Besson

Swords of Destiny

Qtake playback operator role

Locations around Auckland, NZ

16 weeks principal photography

DOP: Thomas Newton Sigel, ASC

 

Alita Battle Angel

International press junket data management

Managing 12 cameras for visitors

Based in Wellington, NZ

Fast turn around delivery